Bari Ziperstein
  • Projects
    • Set Patterns / 2023
    • Domestic Choices / 2022
    • Patterns for Models / 2022
    • Vessels, Nina Johnson Gallery / 2021
    • Wende Museum – Transformations / 2020
    • Propaganda Fabric Tiles / 2020
    • Patterns of Propaganda / 2019
    • Propaganda Pots / 2018
    • Prop Art / 2018
    • Fair Trade / 2017
    • Decorative Protection / 2010-present
    • Survey Westy Collaborative 2010-12
    • Backstock / 2009
    • Furniture Combines / 2009
    • Growing Beams / 2006 – 08
    • Box Project / 2003-05
  • Public Art
    • Stages for Flowers – 2020
    • Totems In Indigo / 2013
    • 1,095: One Year’s Worth of Other People’s Plates
    • Mapping Histories / 2012
    • Recollected / 2011
    • Zippy’s Nicknacks, Tonics, & Magical Gadgets
    • Stars and Strips / 2008
  • Design
  • About
    • Bio
    • CV
    • Contact
  • Press
  • Projects
    • Set Patterns / 2023
    • Domestic Choices / 2022
    • Patterns for Models / 2022
    • Vessels, Nina Johnson Gallery / 2021
    • Wende Museum – Transformations / 2020
    • Propaganda Fabric Tiles / 2020
    • Patterns of Propaganda / 2019
    • Propaganda Pots / 2018
    • Prop Art / 2018
    • Fair Trade / 2017
    • Decorative Protection / 2010-present
    • Survey Westy Collaborative 2010-12
    • Backstock / 2009
    • Furniture Combines / 2009
    • Growing Beams / 2006 – 08
    • Box Project / 2003-05
  • Public Art
    • Stages for Flowers – 2020
    • Totems In Indigo / 2013
    • 1,095: One Year’s Worth of Other People’s Plates
    • Mapping Histories / 2012
    • Recollected / 2011
    • Zippy’s Nicknacks, Tonics, & Magical Gadgets
    • Stars and Strips / 2008
  • Design
  • About
    • Bio
    • CV
    • Contact
  • Press

ARTFORUM / Review

April 19, 2018

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